본문 바로가기 사이드메뉴 바로가기 대메뉴 바로가기

Jinju National Museum 상설전시

An exhibition hall dedicated to the Imjin War, a 7-year war in East Asia (1592~1598) Imjinwaeran Hall

Shedding new light on the Imjin War
a 7-year war among Korea, Japan and China

Visit the exhibition hall to watch the story unfold on three large screens.

Part 1 7-Year War Among Korea, Japan and China The Progress of the Imjin War

This exhibition hall presents artifacts that demonstrate how the Imjin War proceeded starting with the invasion of Joseon by Japan followed by Joseon’s retaliation, progression into an East Asian war with the involvement of the Ming dynasty of China, the Ganghwa negotiations between the Ming dynasty and Japan, re-invasion of Joseon by Japan (Jeongyu War) and the end of the war.

도요토미 히데요시 초상
On April 13, 1592,
Toyotomi Hideyoshi invaded Joseon.
For 7 years, a brutal war devastated the Korean peninsula.
Portrait of Toyotomi Hideyoshi, Mastermind of the Invasions of Joseon Dynasty 豐臣秀吉 肖像
도요토미 히데요시 초상
Osaka City Museum of Fine Arts
Azuchi-Momoyama period, 1600

This is a portrait of Toyotomi Hideyoshi (豊臣秀吉, 1537~1598) from 1600. Although he is known to have been short and ugly, the mastermind behind the invasions of Joseon is depicted as an imposing figure in this painting. Following his death, a large number of his portrait was painted and used in worship at his gravesite as well as temples and shrines until the early Edo period.

징비록
Jingbirok, Written by Ryu Seongryong during the Japanese Invasions of Joseon Dynasty 懲毖錄
징비록
Late Joseon

This is a book providing detailed accounts of the 7-year-long Imjin War and its cause written by Ryu Seongryong with the intent to “take disciplinary measures in advance to prevent future troubles.” In this book, Ryu describes the Imjin War as an East Asian war in which Japan attempted to invade and conquer both Korea (Joseon dynasty) and China (Ming dynasty).

The Meritorious Subject, Gwon Eungsu

General Kwon Eungsu (權應銖, 1546~1608) who raised a righteous army in Yeongcheon during the Imjin War was granted the status of Seonmungongsin Class 2 in recognition of his hand in recapturing the Yeongcheonseong Fortress and other meritorious deeds during the war.

Joseon Dynasty
권응수 초상
Portrait of General Gwon Eungsu 權應銖 將軍 肖像
권응수 초상
Treasure No. 668
Late Joseon

This portrait displays the characteristics unique to the portraits of meritorious subjects in the 17th century; however, based on the fact that the rank badge shown differs from the tiger rank badge used during the 17th century and the strong contrast in the clothing folds, it is deemed to have been painted later on while referring to the paintings from the era in question.

권응수 유품 칼
sword taken from a Japanese warrior by General Gwon Eungsu 權應銖 遺品 刀
권응수 유품 칼
Treasure No. 668
Joseon, 16th century

This is a sword taken from a Japanese warrior by General Gwon Eungsu during the Imjin War. The hilt is engraved “Daeyeongwonnyeon (大永元年, 1521),” which was the name of the year in Japanese style, and this shows that it was a Japanese sword. It appears that the blade was used as it was, while the sheath was modified into Joseon style.

Painting of the Battle of Pyongyangseong Fortress between the Japanese and the Joseon-Ming Alliance in 1593 平壤城 戰鬪圖
평양성 전투도
Late Joseon

This is a painting depicting the Joseon-Ming Alliance reclaiming Pyongyangseong Fortress from Japan in January 1593. Shown on the left side are five Joseon soldiers. Inside the area enclosed by the fortress is General Konishi Yukinaga receiving a report and the Japanese troops fighting against the Chinese troops, who are fiercely moving forward on horses with Li Rusong (李如松), Yang Yuan (楊元) and Zhang Shijue (張世爵) leading the way.

평양성탈환도 1
  • 평양성탈환도 1
  • 평양성탈환도 2
  • 평양성탈환도 3
  • 평양성탈환도 4
  • 평양성탈환도 5
Toyotomi’s Order to Reinvade Joseon Dynasty 丁酉再亂 開戰 命令書
정유재란 개전 명령서
Azuchi-Momoyama period, 1597

This is the document containing the specific military commands given by Toyotomi Hideyoshi to reinvade Joseon in February 1597. It orders the assignment of Japanese troops to each base and the deployment of daimyo (feudal lord) to the fortresses that they have built in Joseon.

풍신수길주인장 1
  • 풍신수길주인장 1
  • 풍신수길주인장 2
  • 풍신수길주인장 3
  • 마귀 초상
    Portrait of Ma Gui, the Ming General who Participated in the Siege of Ulsan During the Jeongyu War 麻貴 肖像
    마귀 초상
    Gyeongsangnam-do Cultural Property Material No. 419
    Joseon, 19th century

    This is a portrait of Ma Gui (麻貴, 1541~1612), a Ming general who was deployed to fight in the Jeongyu War. He is in a gold cap and court attire, sitting in a chair that is covered in tiger skin and holding a scepter.

  • 류성룡 갑주(복원품)
    Armor and Helmet Weared by Ryu Seongryong(Reproduction) 柳星龍 甲冑(復原品)
    류성룡 갑주(복원품)
    Treasure No. 460
    Reproduction 2018
    the Original: Joseon, 16th century

    These are the restored armor and helmet worn by Ryu Seongryong during the war. The armor which had been partially preserved provided a glimpse into the original shape and material. The lame created by cutting pig hide in a certain size was put together using deerskin leather lace to make this mail armor.

  • 마씨종택철검
    Iron Sword Used by Ma Shunshang, a Descendent of Ma Gui 陜川 松林里 麻氏宗宅 鐵劍
    합천 송림리 마씨종택 철검
    Gyeongsangnam-do Cultural Property Material No. 446
    Ming, 16th century

    This is known to be a sword made in the Ming dynasty of China that was used by Ma Shunshang (麻舜裳), a great-grandson of Ma Gui. Ma Shunshang, who oversaw the military provisions in Dengzhou, encountered a windstorm while transporting rice for the military on a boat and drifted to Joseon where he settled afterwards.

Painting of Ming Forces Defeating Japanese Forces during Japanese Reinvasions of Joseon Dynasty 征倭紀功圖屛
정왜기공도병
Edo period, 19th century

This is the latter part of the paintings produced to commemorate the Ming forces defeating the Japanese forces during the Jeongyu War. The first half is housed in the Museum of Far Eastern Antiquities in Stockholm, Sweden. It depicts the Ming troops defeating the Japanese, being welcomed in Hanyang (present-day Seoul), and reporting their victory to the Emperor of the Ming dynasty at Zijincheng in Beijing.

정왜기공도병 1
  • 정왜기공도병 1
  • 정왜기공도병 2
  • 정왜기공도병 3
  • 정왜기공도병 4
  • 정왜기공도병 5
  • 정왜기공도병 6
  • 정왜기공도병 7
  • 정왜기공도병 8
  • 정왜기공도병 9
  • 정왜기공도병 10
Part 2 Farther and Faster with Superior Accuracy The Weapons of Korea, China and Japan

This exhibition hall showcases the weapons of Joseon, Japan and China (Ming dynasty) for a comparison. Bows and arrows, spears and swords, armors and helmets, and gunpowder weapons are introduced by type. The Cheonja, Jija, Hyeonja, and Hwangja Chongtong guns as well as large and medium mortars can also be seen. Of particular note, there are artifacts that shed light on the progressive advancement of small gunpowder weapons from their introduction to the transition across the point-and-shoot and aim-and-shoot methods and the production of rifles.

승자통총
The Seungja-Chongtong 勝字銃筒
승자총통

The Seungja-Chongtong was developed by Kim Ji (金墀) who served as Jeollajwasuja and a soldier of Gyeongsang-do in 1575 (8th year of King Seonjo’s reign). It was a portable gunpowder weapon with a longer gunbarrel and thus improved shooting range than the conventional chongtong guns. According to 『Hwaposigeonhae』, the Seungja-Chongtong was used to shoot bullets and arrows.

Farther and Faster with Superior Accuracy The Advancement of Chemical Weapons
The Main Weapons of Joseon
  • 만력기묘명 승자총통
    The Oldest Remaining Seungja-Chongtong 萬曆己卯銘勝字銃筒
    만력기묘명 승자총통
    Treasure No. 648
    Joseon, 1579

    This is the oldest remaining Seungja-Chongtong. From the engraving on the handle, we can see that the gun was made by Gyu Ga (揆加 in 1579 (12th year of King Seonjo’s reign over Joseon).

  • 천자총통
    Cheonja-Chongtong, the First Largest Cannon 天字銃筒
    천자총통
    Treasure No. 647
    Joseon, 1555

    The size of the large cannons used in the Joseon dynasty was distinguished according to the order of characters in the Thousand-Character Classic: Cheon (天), Ji (地), Hyeon (玄), and Hwang (黃). Among them, Cheonja-Chongtong was the largest and was capable of shooting large arrows such as Daejanggunjeon. It is said that Daejanggunjeon (大將軍箭) could be shot across a distance of 900-bo, which is equivalent to approx. 720m. the grip has been damaged, but it is the best Cheonja-Chongtong that remains today, with its production year accurately known (1555).

  • 중완구
    Joongwangu, Medium Mortar Shooting Thunderclap Bomb Shell or Stone Cannonball 中碗口
    중완구
    Treasure No. 858
    Joseon, 1590

    This was used to shoot Bigyeokjincheolloe (Thunderclap Bomb Shell) or Danseok (Stone Cannonball). Mortars were distinguished into four different sizes: large, medium, small and extra small. It was written that medium mortars were made in Sangjupo (尙州浦) and this particular medium mortar was excavated from Hadong-gun in Gyeongsangnam-do Province.

  • 현자총통
    Hyeonja-Chongtong, the Third Largest Cannon 玄字銃筒
    현자총통
    Treasure No. 885
    Joseon, 1596

    This was the third largest cannon following Cheonja-Chongtong and Jija-Chongtong. Shooting the Chadaejeon arrows using Hyeonja-Chongtong would achieve a range of 800 bo, which is equivalent to approx. 640m, and it was capable of shooting 100 Cheolhwan simultaneously.

  • 황자총통
    Hwangja-Chongtong, the Fourth Largest Cannon 黃字銃筒
    황자총통
    Treasure No. 886
    Joseon, 1587

    The Hwangja-Chongtong, which was the smallest among all four cannons, was capable of shooting Piryeongchajungjeon (皮翎次中箭) over a distance of 1,100 bo, which is equivalent to approx. 880m, and it was capable of shooting 40 Cheolhwan simultaneously. These large cannons were mounted on the vessels of the Joseon navy and contributed greatly to defeating the Japanese during the Imjin War.

  • 지자총통
    Jija-Chongtong, the Second Largest Cannoni 地字銃筒
    지자총통
    Treasure No. 862
    Joseon, 1557

    This was smaller than the Cheonja-Chongtong. Among the larger weapons, it was most commonly used on battlefields. It’s been reported that Jija-Chongtong could shoot Janggunjeon across a range of 800 bo, which is equivalent to approx. 640m. and it was capable of shooting 200 Cheolhwan simultaneously.

  • 비격진천뢰
    Bigeokjincheolloe, Thunderclap Bomb Shell 飛擊震天雷
    비격진천뢰
    Joseon, 16th century

    Bigyeokjincheolloe (Thunderclap Bomb Shell) is a bomb shell made from cast iron. It is known to have been first made by Lee Jangson (李長孫) during King Seonjo’s reign and used during the Imjin War. It was filled with gunpowder through the hole on the side and the wick was lit with fire before it was thrown or rolled by hand, but it was typically launched using a mortar. It was used as a time bomb, with the timing of explosion adjusted by varying the number of fuses.

  • 두정갑
    Armor 頭頂甲
    Armor
    Joseon

    This was the armor of a warrior that was worn to war. This particular armor called Dujeonggap was made by attaching the lame made from iron or leather to a durumagi (traditional Korean overcoat) with iron nails.

  • 월도
    Woldo, a Crescent-shaped Sword 月刀
    월도
    Late Joseon

    The sword is called woldo, which literally means the “moon sword,” as the blade is in the shape of a crescent moon. It was introduced in Joseon after it was seen that the Ming troops defeated the Japanese troops during the Imjin War by using this type of sword.

  • 김명윤 쌍검
    Two Swords Bestowed on Kim Myeongyun by King Seonjo 金命胤 雙劍
    김명윤 쌍검
    Gyeongsangnam-do Cultural Property Material No. 263
    Joseon, Early 17th Century

    These swords were bestowed upon Kim Myeongyun (金明胤, 1565~1609) personally by King Seonjo in recognition of his meritorious deeds as the Governor of Paju-mok during the Imjin War. Both of them are double-edged swords, and there is a smaller blade branching off the main blade near the hilt.

  • 차폭
    Chapok, Ceremonial Baton 車輻
    차폭
    Joseon

    This was a type of iron mace carried by the soldiers escorting the king. It has a handle and the head is shaped like an oriental melon. It was called “Chapok” due to its resemblance to a wheelbarrow.

  • 철질려
    Caltrop with Four Sharp Spikes 鐵蒺藜
    철질려
    Joseon

    This is a piece of iron with four sharp spikes. It is also called neungcheol (菱鐵), yeocheol (藜鐵), or mareunsoe. It was scattered on the area through which the enemy troops were expected to access so as to thwart their invasion attempt.

The Main Weapons of the Ming Dynasty
  • 칠성쌍검
    A Pair of Qing Dynasty Swords with an Inscription of the Big Dipper 七星雙劍
    칠성쌍검
    Qing, 17~18th century

    From the days of the Tang dynasty, single-edged swords were most commonly seen weapon on battlefields. However, double-edged swords were the weapon of choice for prominent warriors and skilled soldiers.

  • 중도
    Sword of Ming Dynasty 中刀
    중도
    Ming, 17th century

    Long swords were typically used by the infantry, whereas mounted troops mainly used crescent-shaped swords

  • 청룡언월도
    Green Dragon Crescent Blade 靑龍偃月刀
    청룡언월도
    Ming, 17th century

    This was a sword used by the Ming forces that is characterized by its eye-catching design. The crescent blade was wide, long and curved, and it was effective in killing the enemy by being used like a spear and sword.

The Main Weapons of Japan
  • 조총
    Matchlock Musket 鳥銃
    조총
    Edo period, 18th century

    The matchlock introduced into Japan through a merchant vessel from Portugal spread throughout the country during the Seongoku (Warring States) period. It was used as one of the main weapons by the Japanese during the Imjin War.

  • 오다치
    Ootachi, Long Battle Sword 大太刀
    오다치
    Azuchi-Momoyama period, 16th century

    The standard Japanese sword was around 90~100cm long. Swords that were longer was called ootachi (大太刀) or nodachi (野太刀), and they were used in actual battle.

  • 가기야리
    kagiyari, Spear with Lattice Iron 鍵槍
    가기야리
    Edo period, 17~18th century

    This was a weapon that began to appear in late Seongoku (Warring States) period. It was preferred by warriors as it could be used to stop the weapon (spear or sword) of one’s opponent.

Part 3 Records Left by Books and Paintings The Imjin War from Different Perspectives

This exhibition hall sheds light on the Imjin War according to various themes including records, the Great Battle of Jinjuseong Fortress, Yi Sunshin and the navy, official recognition of distinguished services, cultural exchange and propagation, and the reorganization of East Asian and Joseon societies after the war.

쇄미록
Swaemirok, Diary by O Huimun on His Life as a Refugee during the Imjin War 瑣尾錄
쇄미록
Treasure No. 1096
Joseon, 1591~1601

This is the journal kept by O Huimun (吳希文, 1539~1613) over the course of 9 years and 3 months from November 27, 1591 to February 27, 1601. It presents a vivid picture of the Joseon army, righteous army, Japanese forces, refugees, yangban (gentry) and slaves during the Imjin War.

Royal Certificate of Meritorious Subject Issued to Kim Simin for His Contribution to Victory in the Jinju Battle of 1592 金時敏 宣武功臣敎書
김시민 선무공신교서
Treasure No. 1476
Joseon, 1604​

This is the royal certificate of meritorious subject issued to Kim Simin for leading the Joseon forces to victory in the Jinju Battle. It was taken outside of Korea during the Japanese occupation period, but was returned in 2006 through a public fundraising campaign and added to the Jinju National Museum’s collection.

김시민선무공신교서
  • 김시민선무공신교서
논개 초상
Portrait of Nongae Painted by Yoon Yeohwan 論介肖像
논개 초상
2007

This is a portrait of Nongae that was painted by Yoon Yeohwan. It was designated as a standard portrait in 2007. It was reproduced due to the controversy surrounding Kim Eunho’s because of his pro-Japanese stance and inaccuracy of the clothing depicted. The portrait of Nongae painted by Yoon Yeohwan, on the other hand, was produced based on thorough historical research on the 16th century women’s clothing and hair styles.

  • 이충무공전서
    Chungmugong-Jeonseo, Collection of Writings by General Yi Sunshin, Posthumous title Chungmugong, which was Published on the Command of King Jeongjo 李忠武公 全書
    이충무공전서
    Late Joseon

    『Chungmugong-Jeonseo』 was published upon the king’s orders in 1795 (19th year of King Jeongjo’s reign over Joseon). This book contains poems and proses as well as Nanjung Ilgi (War Diarmy) written by Yi Sunshin, in addition to what has been written about Yi Sunshin in epitaphs and funeral orations.

  • 에혼 타이코기
    Ehon Taikoki, Japanese Novel on the Life of Toyotomi Hideyoshi and His Seven-Year War 繪本太閤記
    에혼 타이코기
    Edo period

    This is a classical Japanese novel presenting a biography of Toyotomi Hideyoshi and describing the Imjin War.

Painting Depicting Joseon Naval Exercises 水軍操鍊圖
수군조련도
Joseon, 19th century

This is a painting depicting joint naval exercises carried out in Tongyeong by three provinces (Gyeongsang, Jeolla and Chungcheong) after the Imjin War.

수군조련도
  • 수군조련도
Paintings of the Parade of Joseon Envoys who Went to Japan 朝鮮通信使 行烈圖
조선통신사 행렬도
Late Joseon

These are the paintings depicting the procession of Joseon envoys entering Edo Caste in Japan. The relations between Joseon and Japan that had been severed due to the Imjin War were restored, and envoys were sent to Japan for a total of 12 times until 1811.

조선통신사 행렬도 1
  • 조선통신사 행렬도 1
  • 조선통신사 행렬도 4
  • 조선통신사 행렬도 5
  • 조선통신사 행렬도 6
  • 조선통신사 행렬도 7
  • 조선통신사 행렬도 8
  • 조선통신사 행렬도 9
  • 조선통신사 행렬도 11
Painting of Joseon Envoys Performing Martial Arts on Horseback 韓人戱馬圖
한인희마도
Copy 1919
the Original: Edo period, 18th century

This is a painting of Joseon envoys performing martial arts on horses in front of the Shogun, the military dictator of Japan. This performance was first given in 1636, and it was the most popular event in Japan.

한인희마도 1
  • 한인희마도 1
  • 한인희마도 2
  • 한인희마도 4
  • 한인희마도 5
  • 한인희마도 7
  • 한인희마도 8
  • 한인희마도 9